Room 936 i599藝術空間

策展主題：當代藝術的多樣性

將靈感創作移情於心境發抒，藝術的多樣性本身即是一種價值，借由不同的創作、抒發蘊藏於內心對自然磅礡氣勢的感動。

藝術多樣性已經擴大到不限定於一個區域、一個時代，在後現代思潮中，抽象具象化、具象抽象化，表現寫意、印象、內蘊如詩境的世界。

i599藝術空間以推廣當代藝術、深度人文思維、聯繫國際與在地網絡與藝術歷史脈絡為使命，提供台灣藝文群眾一個兼具展場與互動的藝術博覽會體驗。

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陶天麟 Tao Tian Lin

藝術家陶天麟、利用本身的形象特徵，配合著他探險世界五大洲三大洋不變的穿著風格，永遠是走在前端的探險家，百年多來的傳統冒險標誌、牛仔帽、卡基色的探險服，腳踏著靴子，肩上的背包，腰帶上的佩刀，這都是他在地球探索的標準風格、正如同他經典雋永、傳奇再現、赴湯蹈火，勇闖世界五大洲險地、出生入死、冒險犯難、九死一生、探索遠古神秘的人類文化以及荒野大地的生命力、波瀾壯闊與跌宕起伏的探險經歷。

The artist Tao Tian Lin, using his own image characteristics, combined with his unchanging dressing style of exploring five continents and three oceans in the world, is always an explorer at the forefront. Traditional adventure logos, cowboy hats, and kaji-colored adventure suits for more than a century, With boots on his feet, a backpack on his shoulders, and a saber on his belt, these are all his standard styles for exploring the earth, just like his timeless classics, reappearance of legends, going through fire and water, bravely going through dangerous places on five continents of the world, going through life and death, taking risks, narrowly dying, Exploring the ancient and mysterious human culture and the vitality of the wild land, the magnificent and ups and downs of the adventure experience.

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廖乾杉 LIAU CHIAN SHAN

用愛心符號的變型作兔年發想，身體是指數向上提升的意義。新的一年我們都珍惜我們身邊的人，認真提升我們之間的情感。

Using the modification of the heart symbol as the idea of ​​the Year of the Rabbit, the body is the meaning of rising exponentially. In the new year, we all cherish the people around us and seriously enhance the relationship between us.

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黃家圓 Huang Jia Yuan

我在求學過程中嘗試過各種材質，包含木雕、石雕、金屬、泥塑以及複合媒材，透過這五種不同的創作模式，讓我對我的興趣有更加明確的認知，我偏好在創作的時候能夠長時間的觸摸到材質，並且慢慢地看著它形成我想要的形狀，在這個條件下符合我喜好的有木雕、石雕以及泥塑，其中更偏愛木雕，木頭有著獨特的香氣、花紋，亦有令人舒適的觸感，用雕刻刀在木頭上一刀一刀的刻鑿，感受材質表面被利刃畫過的痕跡，這些感知使我在創作的過程中常有愉悅的心情。

During my studies, I have tried various materials, including wood carving, stone carving, metal, clay sculpture and composite media. Through these five different creative modes, I have a clearer understanding of my interests. I prefer to create I can touch the material for a long time, and slowly watch it form the shape I want. Under this condition, I like wood carving, stone carving and clay sculpture. Among them, I prefer wood carving. The wood has a unique aroma and pattern. There is also a comfortable touch. I use a carving knife to chisel the wood one by one, and feel the traces drawn by the sharp blade on the surface of the material. These perceptions make me feel happy in the process of creation.

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藤原智久 Tomohisa Fujiwara

近來藤原智久的創作頗能道出其中三昧，那簡約大器的模擬動物造型中，無形介入，隨物賦形，遇方則方，遇圓則圓、小大無窮、虛實相生、妙趣天成。

藤原智久作品中那簡約鍊達的動物造形，是事物共存的介質，餐具上的排列組合，自然彼此對照呼應，金屬元素相互滲透相融，以一種奇特的能力來實現各部空間。

Recently, Tomohisa Fujiwara’s creations can express the samadhi. In the simple and large-scale simulated animal shapes, the invisible intervenes, and the shape is given to the object. When it meets a square, it becomes a square, and when it meets a circle, it becomes a circle.

The simple and continuous animal shapes in Tomohisa Fujiwara's works are the medium for the coexistence of things. The arrangement and combination on the tableware naturally echo each other, and the metal elements penetrate and blend with each other, realizing each space with a unique ability.